Tag: curator

  • Modern Art in today’s Romania

    Modern Art in today’s Romania


    What would a world look like, where contemporary art works could be purchased from the automatic machine placed in a subway station, in the office buildings hallway, or in a mall ? We can have a glimpse of that discovering Art machine, a project carried by the three contemporary artists, members of the Pink Pill group. It is a project encouraging the sound art consumption through the artists direct contact with the lay public, through an automatic machine with works of art. About what exactly the project is about, we sat down and talked to visual artist Alexandru Claudiu Maxim:



    “Art Machine is an art vending machine where you can find limited series of 100 small works created by artists. The works are original, they are handmade. It is genuine art. The dimensions are those of a calling card and for the sum of 10 lei, around 2 Euros, you can purchase a work from the artists you like or whom you want to discover. It is also a curatorial concept meant to set up a connection between contemporary artists and a public that is interested in getting to know the domain. It also works as a subjective catalogue, which we present and say: in our opinion, thats what is worth buying, as we speak. And there is also a game to be played, that of collecting miniature art, a game we consider necessary to develop a variety of ways to consume art. It can be found in the bookshop of mall in Bucharest. “



    What is the projects curatorial vision? How are ideas chosen, or the works and the artists who end up in the contemporary art automatic vending machine? Alexandru Claudiu Maxim once again:



    “The overall curatorial vision, as we speak, is provided by Marian Codrea, himself a visual artist and a sculptor. As for the other Pink Pill, members, that is Beaver and myself, we also contribute suggestions, but for their most part, its with him the discussions with artists are initiated. What I can say, though, is that were searching for daring, original artists, with a peculiar style, or proposals that tie in perfectly fine with the idea of a vending machine and miniature works. There were cases when we were searched on the Instagram by the very people who even now do not see themselves as artists, but who had very good ideas and some of them even ended up in the machine. Such an idea was Syd Buzoianus, who during the lockdown came up with the suggestion that we make a plain tickets collection whose destination were not only todays places alone, it also went way back, in the past, in certain cultural ages, but also in the future, to other planets, to states of happiness, ecstasy or to films. We grew mighty fond of that concept and we accepted it, for its originality. “



    We live in a world imbued with the social media, materialism, products, consumerism. Could it be feasible, that particular mix of the essence of consumerism (the automatic machine) and art in its own right, as an expression of cultural and moral values?



    Alexandru Claudiu Maxim:



    “In todays consumerism, I would include the project as a sound alternative regarding the consumption of art. It is a project enabling people to get access to original art, and not to copies that oversaturate already. Even though Art machine makes use of the consumerists presentation, its all about that particular kind of materialism in the sense of love and respect for the object, its also about care and its protection thanks to its being unique. As city-dwellers, I think we cannot escape consumerism, and the fight to get the publics attention is big. We believe this project should create communities of artists and art lovers. We target people who are open and eager to know many things, people, who, perhaps, are interested in contemporary art, but they dont know how to approach it, since the milieu is sometimes opaque. For them, “Art Machine” could be a gateway to that end. In March 2019 the first “Art Machine” prototype was made public, as part of the, “Pink Pill Pastila Roz – The Resolution Will Be Supervised”, project venued by the 030202 Workshop, an area coordinated by Mihai Zgondoiu. It was one of the first exhibitions, mounted by the Pink Pill group in Bucharest. Six months later, in September 2019, as part of “Art Safari”, at the super-contemporary art exhibition themed “Young Blood, Art of Your Time”, curated by Mihai Zgondoiu, “Art Machine” is a functional art object, with a professional machinery in it. The works it dispatched back then cost 1 leu, 10 or 50 Lei (that is between around 50 Eurocents and 10 Euro), actually according to visitors choice. We decided it should be up to them, as to how they think contemporary art is worth. There wasnt any difference in the work they got, it was only their perception of its value. Of the 700 works we got ready for them, with us, alone, with the Pink Pill, all of them were sold out from the very first day. And thats how the three of us became the art machine the produced works day in, day out. The idea was so good that other artists got involved, they helped us, there were also ordinary people, visitors of Art Safari, who had at the bar in the courtyard. small talk, and a felt-tip pen. In ten days, we succeeded to sell three thousand works and run out of ideas. Since August 2020, “Art Machine” își has been changing its trajectory towards todays direction, that of developing a community in order to propose a new way of consuming contemporary art. The number of artists who got involved in our projects is continuously growing. Initially, we worked with fine and graphic artists, in a bid to support this idea of original art. And here I can mention the Square Cat, Obert, Teodora Gavrilă or Irina Iliescu, but we also worked with photographers and directors.”



    Here is artist Alexandru Claudiu Maxim once again, this time sharing the creators vision of the projects future prospects:



    “We see the project as being developed in other cities as well, mainly in those with academic fine arts education programmes : Cluj, Timișoara or Iași. Pursuing the idea of creating communities, other “Art Machines”, that is, it should be curated by the people who know the place, with artists of the place. We also mull the construction of a new machine that can dispatch works with a size larger than that of a post card. “


    (EN)




  • The Art Safari 2020 retrospective exhibition

    The Art Safari 2020 retrospective exhibition


    The month of September this year saw the 7th
    edition taking place, of an eagerly-awaited event: the Bucharest Art Pavilion -
    Art Safari. The event draw to a close two months ago, and the other day we sat
    down and spoke to the Art Safari director, Ioana Ciocan. Ioana had a look back
    at the event, offering us several conclusions.


    As an absolute first in the history
    of the event, the Bucharest Art Pavilion – Art Safari was held on two separate
    premises: the Victoria Tower, an impressive building located on Victoria Road,
    at the heart of Bucharest, and in the AFI Cotroceni Mall, which was an
    extremely surprising space. We picked AFI Cotroceni because we thought it was
    easier, it was more accessible for us to take art particularly where people
    are. If people are in the mall, then the decision we took was quite natural,
    that of having an art pavilion in the mall. So we built a satellite there, with
    all sorts of artistic, interactive installations, made for the entire family,
    where, of course, access was free. Another interesting thing about Art Safari
    was that it could also be visited at night. So, night after night, from
    September 11 and all through to September 27, small groups of visitors enjoyed
    guided tours as well as musical performances. This year, given the trying circumstances
    we’ve been through, we had to take into account a couple of measures that are
    part of the new normality already: social distancing, wearing the ear-loop mask
    and there was something else, something very important, access to Art Safari
    was granted to small groups of people. Practically, for the Victoria Tower’s
    11,000 square meters surface area, we allowed no more than 175 people to visit Art
    Safari. We complied with the recommendation we got from the Ministry of Culture
    and the Healthcare Ministry as we wanted to make sure the visits to the Art
    Safari Museums were completely safe.


    Ioana Ciocan gave us detailed info on the two
    exhibitions that were part of Art Safari, which enjoyed the greatest success with
    the visitors – the Sabin Balasa Pavilion and the Gheorghe Petrascu Pavilion.

    Ioana Ciocan:


    After the lockdown we had to comply
    with earlier this year, we realized how much we missed cultural events. We were
    happy because, under these very difficult circumstances, we were able to mount
    the 7th edition of Art Safari. The pavilion bearing the name of Sabin Balasa, a contemporary painter who was
    famous before but also after the anticommunist revolution, was laid out in the
    entire surface area of a floor of the building. Each of Sabin Balasa’s
    canvasses was some sort of incursion into a quite uncanny cosmic universe,
    peopled with feminine and masculine beings captured in initiatic journeys of
    various kinds. We got a loan from Romania’s Chamber of Deputies, a valuable
    one, which was also a one-of-a kind loan, eight of Sabin Balasa’s big-size canvasses
    were offered on loan by them. We very much wanted Ceausescu’s and his wife’s
    portraits to be included in Art Safari, we couldn’t get them, unfortunately, it
    would have been relevant for visitors to know it was not only a blue cosmic
    universe Sabin Balasa painted, but also propaganda works. On the first floor of
    the building in Victoria Road, the museum pavilion was entirely dedicated to
    Gheorghe Petrascu, one of Romanian fine art’s most popular painters, a great
    master, whose works were last put together in an exhibition in 1972.


    Art Safari came up with a surprise exhibition for the
    Eastern-European space.

    Ioana Ciocan:


    In 2020, the International Pavilion
    was dedicated to a form of rebel art brought over from the US: Guerilla Girls.
    The group of feminists was founded in New York in 1985, while for its
    representation in Bucharest, Guerilla Girls curated a historic exhibition, an
    exhibition comprising the fine art group’s most famous and most relevant works,
    dated 1985, but also works form the 1990s and the year 2000. The group was set
    up as a form of protest against gender differences in the museums across USA,
    and not only there, this year at Romania’s National Art Museum we saw an
    exhibition including all-male works. So the 1985 Guerilla Girls protest has not
    reached Bucharest yet, that’s why we were happy we had the privilege to host that
    historic group as an absolute first, not only in Romania, but in this part of
    Europe as well.


    The visitors’ reaction to the interactive exhibition
    offer as well as to Art Safari’s offer for the little ones was extraordinary,
    the art-loving kids, that is.

    Ioana Ciocan:


    The ‘Bucharest School’ pavilion,
    curated by Silvia Rogozea, sought to offer a complete picture of the last 30
    years of Bucharest fine art. For their works to be selected for the exhibition,
    their authors needn’t have been Bucharesters, born and bred, or educated in
    Bucharest, but at a crucial point in their lives, the artists need to have had
    a close connection with Bucharest. It was an eclectic exhibition, very popular
    with the visitors, photographs of the exhibition were taken on a large scale. An
    Art Safari hashtag on the Instagram gives us access to the most successful
    angles of the ‘Bucharest School’ exhibition. The exhibition also had an audio
    installation, jointly made with Ana Banica, an artist the visitors loved very
    much, especially the younger public. The Children’s pavilion was something
    unique in Art safari. We asked the little ones to send us works they made
    during the lockdown we had earlier this year. We found it absolutely
    fascinating to receive their works, on paper, canvas, collages, photographs,
    magazine clips – for the children, it was a universe which took shape at a time
    which was very difficult for them. But it was all the more delighting for us to
    see the little the ones coming at Art Safari and seeing their works on display
    in a museum as an absolute first. So we would like to continue with the
    children’s pavilion in the 2021 edition as well.


    Ioana Ciocan:


    The team’s tremendous effort to mount
    Art Safari against the backdrop of the pandemic was warmly rewarded by the
    visitors’ enthusiasm. We were once again happy when we saw people queuing up
    for art, just as it happens in all renowned international exhibitions. Bucharesters,
    and not only them, were queuing up for Art Safari just as they do when
    they visit the great international museums. So we were happy to have been able
    to offer lovers of art a contemporary visiting experience, perfectly adapted to
    the times we live in. It was a collection edition, indeed, and I should like to
    take this opportunity and invite you to be part of Art Safari. This year we had
    more than 80 youngsters who opted for doing volunteer work in the field of art,
    with Art Safari, it was a team of volunteer high-school students from
    high-schools in Bucharest, they are definitely a source of inspiration for the
    younger generations. So we invite you to visit Art Safari, but also to do
    volunteer work as part of such a great cultural project.

    (Translation by Eugen Nasta)







  • Anca Rujoiu, editor şi curator care trăieşte în România şi Singapore

    Anca Rujoiu, editor şi curator care trăieşte în România şi Singapore

    Anca Rujoiu, editor şi curator care trăieşte în România şi Singapore.