Tag: disciplines

  • The National Museum of Romanian Literature, revamped for the 21st century

    The National Museum of Romanian Literature, revamped for the 21st century

    The
    National Museum of Romanian Literature in 2021 has been the recipient of the
    European Prize. As part of the on-line awarding ceremony for the European
    Museum Academy Awards, the DASA Award went to two of the most relevant and
    significant projects the Museum has carried in the last seven years: the main
    exhibition in the Nicolae Cretulescu Street and the Anton Pann Memorial House exhibition.
    We recall Anton Pann was a Romanian poet of the early 19th century.
    Pann was also a composer of religious music, a folklore collector, a man of letters
    and a regular contributor to various publications of his time. Here is the judging
    panel’s motivation for the award: The permanent exhibition is impressive thanks
    to its low-key yet minutely organized layout, rounding off the historical
    building which is home to the exhibition. In its educational programs, the National
    Museum of Romanian Literature has been audacious and utterly uncompromising,
    acting as a vehicle for today’s social problems. At the core of its activity
    lies interactive literature.


    Indeed, in the organization of the museum’s main
    exhibition, the curators and the museographers have first and foremost pursued
    the interaction with the public, according to the literary genres (poetry on
    the ground floor, prose, essays, literary history and criticism on the upper
    floor, while the loft is home to playwrighting). The
    museum has a heritage comprising more than 300,000 manuscripts, patrimony items and
    old books which include incunabula that are more than 500 years old. Among such
    items, there are manuscripts of works by Marcel Proust, Thomas Mann, Paul
    Valéry, Giovanni Papini, Giuseppe Ungaretti and Mihai Eminescu. The National
    Museum of Romanian Literature in recent years has been increasingly present on
    the literary scene in Bucharest. Specifically, the museum has staged a wide
    range of events, from academic symposia to jazz and poetry marathons. Accordingly,
    the Museum’s team has developed public reading sessions, conferences, theme
    exhibitions, creative workshops, events attended by a target audience.
    Also,
    the museum has staged internationally-recognized events, such as the Bucharest
    International Poetry Festival.


    In 2021, the Museum was home to the 11th
    edition of the Bucharest International Poetry Festival. As part of the event, public
    poetry reading sessions were being offered to the audiences by Romania authors.
    Joining them, through podcasts and video recordings were poets from England, Argentina,
    Canada, Colombia, Ecuador, France, Germany, Greece, Italy, Mexico, Peru,
    Republic of Moldova, Spain and the United States of America. Editor and writer
    Ioan Cristescu has been the Director of the National Museum of Romanian Literature
    since 2014. He told us that, among other things, his intention was to turn the
    museum into a living space. Ioan Cristescu:


    There is one thing literary history has taught us, namely a writer’s
    presence in society should be a highly significant one. Writers are prominent members
    of a community, yet they are no longer perceived like that by society, unfortunately.
    And it is not about writers and the readers’ response to their work, it’s about
    artists, broadly speaking, today artists are almost totally unknown even though
    their work enjoys European, maybe world recognition. Unfortunately, we are no longer interested in getting acquainted
    with the contemporary values. So it is for that particular reason that we sought
    to open the museum for all generations and towards all forms of artistic
    expression, with a view to creating a place, an environment where artists can manifest
    themselves. And the fact that we succeeded to mount a creative museum, that only
    enhanced our institution’s museum identity. The National Museum of
    Romanian Literature is a museum where you can do a
    lot more than merely looking at the exhibits, it is a living space. We have sought to
    find our own identity through opening the museum to everybody and we did that because
    people wanted a place like this, a place where they could express themselves.
    It is a place where you’re sure to always find something new, where each and every
    guest can put to good use their talent and erudition, qualities that seem to be
    missing in our society, more and more. What we have been meaning to achieve and,
    at that, I hope we have succeeded, is to contribute, through our activities, to
    the lay public’s getting closer to writing, to reading, we want to encourage
    reading, we want to contribute to the education of those who visit us.


    The
    National Museum of Romanian Literature also sought to maintain the connection
    with the public during the pandemic, so they created a platform, Cultura in
    direct, Live Culture, in English. The Director of the National Museum of
    Romanian Literature, Ioan Cristescu:


    We built this video platform, Live Culture, by means of which we dovetailed
    the site of the museum and our activities. Our intention was to go online,
    gradually, but also to move to television transmission. As you can see, most of
    the debates in our society are not debates focusing on the problems we think are
    important, or on cultural issues. We have been witnessing, oftentimes,
    political debates, but we, the people of the National Museum of Romanian Literature,
    are not interested in politics. What we’re interested in are debates of ideas,
    the literary and interdisciplinary debates, as the writer and their literature
    are also the outcome of what is going on in contemporary society, that is why
    we have been trying to make the connection, to find connections between literature
    and other disciplines.


    (Translation by Eugen Nasta)