Tag: engineer

  • Nature and Politics in 19th Century Romania

    Nature and Politics in 19th Century Romania

    Nature is a fundamental presence in the existence of humankind. In effect, the human being cannot possibly exist without nature. Nature is the physical or the material world. In time, man explained the existence of nature as an irrational presence, but also as a rational one, the relationship the human being has with nature has always stimulated thought; one way or another, all ideas and branches of science are linked to nature. The modern world that began in the second half of the 18th century placed nature on a par with the divine, whereas the Middle Ages and the pre-modern era placed their stakes on the idea of the supernatural. Therefore, nature became part of political debates, so much so that conservative or groundbreaking ideas pay heed to its significance.



    Nature as part of political debates would also emerge in the Romanian space. It was a French import. The Francophile Romanian intellectuals adopted the idea of nature, implemented it in politics, and analyzed its role and its relationship with politics in the set of attitudes man should have. Nature becomes essential in explaining the world from a political point of view.



    Raluca Alexandrescu is a professor with The University of Bucharests Political Sciences Faculty. Dr Alexandrescu explained the source of the political debate on nature in the Romanian space.



    We can already detect such tendencies in European logic, in the political discourse and in the European political narrative after 1850. An author I have already used as a landmark, precisely because, in very many respects, he is a source of inspiration and a role model, although I try not to use the world role model, is Jules Michelet. He himself has a radical change in discourse and in the research area of history and politics after 1851. “



    One of the first intellectuals who introduced nature in politics was engineer, geographer and writer Nestor Urechia. Raluca Alexandrescu has rediscovered his works and is now trying to put them into circulation once again.



    Nestor Urechia was V. A. Urechias son. He is an author who, as far as I could infer talking to my fellow historians, political scientists or anthropologists, has enjoyed unprecedented attention, I daresay. He has been not studied very much so far, so he revealed quite a few of his many sides as a scientific personality. He is an engineer trained at the École Polytechnique și École nationale des ponts et chaussées from Paris, he is the main manager of the worksites building DN 1, National Road 1, which he supervised and built between 1902 and 1913, on the Comarnic- Predeal sector. At the same time, he is a vocal Francophile. His wife was French, in fact. He is passionate about mountains and nature. All these things coalesce to form a very stimulating set of reflections for the reader nowadays.



    Urechia’s ideas stimulate the reader in reflecting on the relationship between territory, nature, democracy, sovereignty. This is an initial idea in Urechia’s writings that Raluca Alexandrescu wanted to remark upon:



    “He observes that the earth is interesting mostly through its relationship with people. This is his main starting issue. The relationship with people did not just mean the aspects that we would see from an activist ecological perspective, meaning taking care of the environment, what we can do to protect it, but more than that. Urechia’s intent was to build a more theoretical proposal. His proposal took into account this more and more mobile, dynamic, more fluid relationship of society, of groups and individuals that compose it, with various forms of manifestation of nature, that form of cohabitation. This is interesting because this idea of peaceful cohabitation with nature, which today dominates the general discourse in general, is not very apparent in this period. Therefore, man and nature are actors with equal rights on a stage that brings them together under a harmonious political regime.



    How does national belonging come about? Raluca Alexandrescu summarized Nestor Urechia’s answer:



    “Another idea which is not so original, but is worth following in Urechia’s writing is the way in which he follows the construction of the modern expression of the nation in rhetoric about nature. Here we should rather refer to his novels, which are basically just stories. We are talking about a few volumes he published in early 20th century, such as Bucegi, The Spell of the Bucegi, and later The Robinsons of Bucegi. In these literary attempts we can see very clearly the intention to build the rhetoric of an identity, even a national one, relating to the way in which nature and politics blend together.



    Today, nature and politics, just like 150 years ago, are present in what people believe is important for them and for the community they live in. Nestor Urechia is a name that Romanians can reflect on when they talk about themselves.(EN, CC)


  • The early days of photography in Romania

    The early days of photography in Romania



    Western foreigners who travelled to Romania and settled here brought the art and craft of photography with them. In the mid-19th century, photography became popular rather quickly. After the 1850s, actually, the Romanian photography market boomed, with photo studios cropping up in every major city, and with a clientele eager to benefit from the new services. Foreign photographers made history in Romania. Their legacy is an important documentary source about how the cities and the people looked like, at that time. Carol Popp of Szathmary, Franz Mandy, Franz Duschek, Adolphe A. Chevallier are some of the noted foreign photographers of the 19th century. However, the Romanians Ioan Spirescu and Iosif Berman are also among the pioneers of Romanian photography.



    One of the most prolific Romanian photographers was Stelian Petrescu. He left a great number of photo films and photographs. Petrescu was born in Giurgiu, in 1874, into a well-to-do family and died in Bucharest, on July 23rd, 1947. For his secondary education, Petrescu took a math and sciences track, being attracted by science in primary school. Then he graduated from the Faculty of Chemistry and Physics Sciences in Bucharest. Petrescu was appointed teacher with the Gheorghe Șincai high-school. In a couple of years time he went to Germany to get a second degree, in Geodesy. Stelian Petrescu returned to Romania in 1901. He resumed his teaching activity and had a stint with the Higher Vocational School in Iasi. In 1909 Petrescu was employed as an engineer with the Romanian Railway Company and kept his job until he retired, in 1930. Stelian Petrescu never renounced his teaching profession. Concurrently, he taught sciences in Bucharest.



    One of the greatest events in the early 20th century was the Jubilee Exhibition staged in 1906 in Bucharest. The exhibition was meant to pay tribute to Carol I of Hohenzollern-Sigmaringens four decades of reign, which began in 1866. The exhibition was mounted according to a French pattern. It benefitted from the attention of all domestic institutions, also enjoying international presence.



    The exhibition was also an opportunity for photographers to make themselves visible. Attending were renowned names of that time, such as those of Alexandru Antoniu, Franz Mandy or Adolf Klingsberg, the owner of the famous “Julietta” photo studio in Bucharest. Less well-known names also participated, such as Marko Klein, the owner of a photo studio in Braila. Petrescu also participated and even scooped the 1st prize and the gold medal, Based with the National Library of Romania, the historian Adriana Dumitran documented Stelian Petrescus passion for photography, as well as his presence at the Jubilee Exhibition in 1906.



    Adriana Dumitran:



    “His first presence in a major international exhibition was in 1906, at the Romanian General Expo, where he represented the School Department. His participation was noted by the media. He showed photographs with military themes, Romanian landscapes, portraits, animals. He had quite a large number of works on display, although we dont know precisely how many.” Stelian Petrescu rose to fame, his talent was in high demand and he started looking for more areas in which he could use his knowledge.



    Adriana Dumitran again:



    “He started working with the Committee on Historical Monuments. In 1908, when the Committee launched a Bulletin, he had his works published there at least until World War I, in several issues until 1912. He worked a lot with architect Nicolae Ghica-Budești and illustrated a number of books, including, in 1909, an album on the religious artefacts at the Probota monastery, and that same year another one on items from the Neamț and Secu monasteries. One of his most interesting contributions was photographing the paintings of Nicolae Grigorescu for a monograph by Alexandru Vlahuță devoted to this great painter, in 1910.”


    Stelian Petrescu remained a scientist nonetheless, and this was evident in his newfound passion for photography.



    Adriana Dumitran:



    “His interest in the railways converged with photography. In 1913 he published a visual guide of the Romanian Railways. At that time, România had 3,500 km of railways crossing the entire country. He travelled that distance, took photos, illustrated this guide with them, and for each railway hub he presented the cultural, historical and other landmarks. The guide features over 350 photographs.”



    He also continued to photograph major public events. On 16th October 1922, he took snapshots of King Ferdinand, Queen Marie and senior politicians at Bucharests Arch of Triumph.



    After his retirement in 1930, he published his photos in technical magazines. He switched to a modernist style, with photos of railway construction hall interiors, engine components, bearings and other pieces used in the railway industry. He photographed the Malaxa Plant and published an album with the products made there. He was regarded as a “niche” photographer, and his work remains to this day of exceptional value for the history of industry in Romania. (EN, A.M.P)




  • Explorer Iuliu Popper

    Explorer Iuliu Popper

    Nicknamed” the last conquistador”,” king of Patagonia”,” alchemist”,” dictator”,” The Baron of Tiera del Fuego”, the engineer-explorer Iuliu Popper was born in Bucharest on December 15th 1857 and died on June 5th 1893 of unknown causes in Buenos Aires, at the age of only 35. He graduated from the Polytechnics School and the School of Bridges and Roads in France, where he qualified as a mining engineer. Besides his attraction to science and technology Popper had a great talent for languages and he learnt to be fluent in no less than seven foreign languages. Shortly after finishing school the young engineer got his first job at the Suez Canal. He continued to travel around the Middle East and the Far East until 1881, when he came back to Romania. After spending a short period of time at home, he set out for Asia again, and made it to Alaska, the USA and Canada. From there he went to Cuba and Mexico where he found jobs as engineer, geographer, cartographer and journalist. In 1885 while in Brazil, Popper learnt about the gold rush in Tierra del Fuego and set out for Argentina where his Patagonian adventure was about to begin.



    With support from a geological survey company Popper made it to Tierra del Fuego. Upon his comeback he presented the company with a convincing report and in 1886 he was sent back with the assignment to conduct ampler researches in the region. He was accompanied by another engineer and an entire team of experts in mining and metallurgy. His report was right, the sand on the coasts of Tierra del Fuego had more gold than Patagonia itself. Poppers team took a lot of photos, made measurements and drew up maps. In 1887 he made it to the gulf of San Sebastian where he built gold washing machines and barracks for the workers. The camp built by the Romanian explorer also included a building for the companys board. Popper managed to form a small force ready to deal with the adventurers attracted by the gold rush. Unfortunately, the company funding the enterprise went bankrupt and Popper had to return to Argentina in 1889. The Center for Studying the History of the Jews in Romania has acknowledged the personality of Popper through an exhibition, during which curator Anca Tudorancea presented a series of exhibits, some of which very special.



    Anca Tudorancea:” What we have here are the magnified photos of the 1886 album, which was meant to illustrate the exploration of the Tierra del Fuego. This is actually the first photo report of the region and from the scientific, cartographic and geographic points of view a tremendous success achieved by the mining engineer Iuliu Popper. This album also includes a text of the scientific conference he held at the Argentinian Geographic Institute in 1887. Popper died young at 35, his last scientific initiatives being the exploration of Antarctica. Right on the day of his death he got the greenlight for an expedition in Antarctica. Iuliu Popper was the first Romanian to have travelled five continents. There are places in Argentina with Romanian names, like for instance Rio Carmen Sylva, Sierra Carmen Sylva, Urechea, Lahovary, Rosetti. These were the names given by Iuliu Popper.”



    In 1887, Popper wrote to Vasile Alexandrescu Urechia, the Secretary of the Romanian Geographic Society, about the satisfactions he had as an explorer, which were even more intense than the luring gold deposits:” I am lost for words in my attempt to describe the emotions I feel during the adventures I experience while on a trip, where the only guidance you can get is from the magnetic needle of a compass or the starry sky at night; the grandiose breathtaking views the visitor suddenly encounters, the chained orographic, hydrographic or geological phenomena we are witnessing, the varied flora and fauna miraculously popping up in places where no man has gone before – so many natural phenomena in this region where civilization is still in its infancy.” Curator Anca Tudorancea has also referred to the complex personality of the explorer.



    Anca Tudorancea:” Popper is a very interesting subject in all his aspects and at a certain point we must also deal with both negative and positive aspects. For instance, people want to know if he was blond or red hair. Because of stereotypes he is being represented as a red-haired individual but rubio means blonde and because in the past ten years of his life he spoke and wrote in perfect Spanish we must speak a little bit of Spanish to understand the Romanian Popper. He sent extraordinary letters to the Romanian Geographic Society, letters of great patriotism, in which he said I am Romanian, was born Romanian and am going to die Romanian. Ironically he never got the Romanian citizenship because he was in the same situation as all those in the Jewish community. We owe him the Romanian names in Tierra del Fuego and that was an act of love for his native country, Romania, for its Royal House, the patron of the Geographic Society.”



    Iuliu Popper is present not only in Argentines books of history and specialized articles, he inspired writers of literature, comics and films. A Chilean rock band is presently bearing his name.


    (bill)