Tag: Monsters

  • “Monsters”

    “Monsters”

    Monsters, the
    only Romanian film selected for the Berlin International Film Festival, which
    is the debut feature film of director Marius Olteanu, has received the Audience
    Award granted by the German publication Tagesspiegel. The movie was voted by
    the nine members of this independent jury that appreciated director Marius
    Olteanu’s talent for using a special visual language to describe the
    multi-layered nature of a relationship that had to cope with the pressure of
    society. Highly appreciative of the prize he received at the Berlinale, Marius
    Olteanu was happy to see his movie being screened four times more during the
    festival, and he hopes Monsters will be equally successful in Romania. We
    talked to Marius Olteanu about the reaction of the audiences who watched his
    movie at the Berlinale and who participated in the Q&A sessions held there.


    People
    asked good questions, their questions showed that they reacted to what they saw
    in the movie, they were interested in what they saw, they were excited. Some of
    them confessed that they had not seen such a movie before, one that raises the
    issues in ‘Monsters’. I received many questions and favorable reactions. One
    day, while in the street, somebody came to me, hugged me and thanked me for the
    film. There were many Romanians who came to see the movie and this was a great
    joy for me. The movie has a certain type of humor, despite being a drama. It’s an
    atypical love story which shows that the greatest proof of love is actually relinquishing
    your love. I noticed that the Romanians who attended the screenings in Berlin had
    stronger reactions to the film humor than the other spectators. It seems to me
    that there is a level of understanding accessible primarily to Romanians and I
    could gather that from their reactions, their laughter. It was a typically-Romanian
    reaction to the film humor, a reaction that I enjoyed a lot.


    Monsters was
    included in the Forum section which is devoted to experimental projects that
    focus on avant-garde tendencies, essays and political reports. The movie
    presents one day in the life of two newlyweds who seem to be loved by their family,
    by society and friends as a couple, but who are judged and rejected when they
    are on their own. Here is director Marius Olteanu with more:


    I have
    already said it in other interviews, ‘Monsters’ is not a movie that gives
    verdicts and labels people. It asks questions and targets those people who are
    willing to think about these aspects. The movie also asks questions such as: to
    what extent are we willing to open up to the others, to tolerate, to make
    compromises, to understand the others, what happens to love within a couple
    after many years, how does it survive, or if it does not survive, what do we
    replace it with, or how do people react to a couple. The main characters in the
    movie are loved by the others – family, society, friends – as long as they are
    together, but when they separate, they are disregarded and labeled. And this is
    another question raised by the movie, to what extent these labels are actually ‘definitive
    sentences’. Because when we label people, we take a distance from them and thus
    we miss the chance of getting to know them better, of meeting them and winning something
    from this interaction.


    The film Monsters
    features Judith State, Cristian
    Popa, Alexandru Potocean, Şerban Pavlu, Dorina Lazăr and Gabriel Răuţă,
    and it was produced by Parada Film and Wearebasca, with the support of the
    National Center of Cinematography.


    Although it focuses
    on the fragile relationship between a man and a woman, Monsters also raises
    other issues. Here is director Marius Olteanu back at the microphone with more:


    There is
    another theme that I find equally important, namely the status of women in
    society. I can also mention the theme of maternity, and how a woman comes to be
    considered a WOMAN only when she becomes a mother. I find this a very serious
    issue, and it happens in many other spaces, not only in Romania, namely that
    women are regarded more as mothers and wives and less as human beings free to
    choose a life in accordance with their own values. Many people believe that
    this is the mentality of older generations, but I have friends of my age or
    even younger who have this mentality, like their grandparents.


    Monsters will
    be previewed at the Transylvania International Film Festival – TIFF – and will
    be released in Romanian movie theaters in late September.

  • „Monsters.“ gewinnt auf der Berlinale den Preis der Tagesspiegel-Leserjury

    „Monsters.“ gewinnt auf der Berlinale den Preis der Tagesspiegel-Leserjury

    Vom 7. bis 17. Februar fand in Berlin die 69. Auflage des Internationalen Filmfestivals statt – eines der wichtigsten der Welt. Monsters, der einzige rumänische Film in Berlin, der in der nicht-kompetitiven Forumsektion lief, erhielt den Preis der Tagesspiegel-Leserjury. Der Film war Teil der Auswahl experimenteller Projekte, die sich auf Avantgarde, politische Essays und politische Berichte konzentrierten. Der Film ‘Monsters.’ des rumänischen Regisseurs Marius Olteanu, zeigt die letzten 24 Stunden der Liebesgeschichte eines Paares, das seit fast 10 Jahren eine Beziehung hat. Dana und Arthur kämpfen jeweils mit inneren Monstern, und der Tag, an dem sie entscheiden müssen, ob Aufgeben ein Beweis für reine Liebe ist, nähert sich. Regisseur Marius Olteanu war angenehm überrascht, dass nach der Auszeichnung mit dem Preis der Tagesspiegel-Leserjury sein Film von vier zusätzlichen Projektionen profitierte. Es ist ein Film, der auf Mikroebene darüber spricht, was wir auf der Ebene der Gesellschaft leben, über das Bedürfnis, die anderen zu erreichen, zu verstehen und ihnen nicht gleichgültig zu sein – sagte Marius Olteanu.



    Der Spielfilm Synonyme, in der Regie von Nadav Lapid, über einen israelischen jungen Mann, der nach seinem Umzug nach Paris seine Herkunft verbergen wollte, gewann den begehrten Goldenen Bären für den besten Film. Der Grand-Jury-Preis ging an den französischen Spielfilm By the Grace of God (Regie François Ozon), ein Drama über sexuelle Übergriffe, die Angehörige des Klerus an Minderjährigen begangen haben. Den Silbernen Bären für die beste Regie erhielt die deutsche Regisseurin Angela Schanelec für Ich war zuhause, aber. Die Schauspielerin Yong Mei und der Schauspieler Wang Jingchun wurden für ihre Darstellungen in einer Familiensaga preisgekrönt. Die zwei chinesischen Schauspieler verkörpern ein Paar, das die Wechselfälle des Lebens im China nach der Kulturrevolution durchstehen muß. Der Goldene Bär für den besten Kurzfilm ging an den Film “Umbra von Florian Fischer und Johannes Krell, aus Deutschland. “Blue Boy, eine Produktion des Argentiniers Manuel Abramovich in Zusammenarbeit mit den Rumänen Catalin Cristuţiu (Filmbearbeitung) und Bogdan Georgescu (Kreativproduzent) wurde mit dem Silbernen Bären für den besten Kurzfilm ausgezeichnet. Die britische Schauspielerin Charlotte Rampling wurde dieses Jahr in Berlin mit dem Goldenen Bären für die gesamte Karriere ausgezeichnet.



    Die Rumänen haben bereits auf der Berlinale große Preise gewonnen: Im vergangenen Jahr ging der Goldene Bär für den besten Film an den Spielfilm Touch Me not von Adina Pintilie, die auch mit dem Preis für den besten Debütfilm ausgezeichnet wurde. 2013 war auch ein Erfolgsjahr für das rumänische Kino: der Spielfilm “Die Stellung des Kindes von Calin Peter Netzer gewann in Berlin den Goldenen Bären. Die Tatsache, dass die rumänische Präsenz in Berlin 2019 im Vergleich zu anderen Jahren geringer war, belastet nicht den Wert der rumänischen Filmemacher von der sogenannten neuen Welle, darunter Cristi Puiu, Corneliu Porumboiu, Cătălin Mitulescu, Radu Muntean, Cristian Mungiu, Tudor Giurgiu und Radu Jude.

  • February 9, 2019

    February 9, 2019

    Budget — The vote in Romania’s Parliament on the draft budget law and the draft national insurance budget law for 2019 was scheduled for Friday, February 15, the Romanian Parliament’s Permanent Bureaus decided on Saturday. MPs are expected to submit amendments until Monday and debates on the budget bill in the Parliament plenum will start on Wednesday. The draft budget for 2019 was approved Friday by the governing coalition made up of the Social Democratic Party and the Alliance of Liberals and Democrats. Under the draft budget, more funds were allotted for healthcare education and investments. The budget is based on a 5.5% economic growth rate, a budget deficit of 2.5% and a GDP of more than 200 billion Euros. The bill also provides for the allocation of 2% of the GDP for defense, according to Romania’s commitments to NATO. Money was also provided for the increase by 15% of pensions starting in September this year. The opposition leveled criticism against the delayed approval of the budget bill as well as against its provisions which they deem unrealistic.



    EU — The Romanian presidency of the Council of the EU announced it received a mandate from the ambassadors of the member states to start negotiations with the European Parliament on the revision of the Directive on natural gas. Considered one of the most sensitive and important legislative files on the European agenda, the modification of the Directive is based on the compromise reached by France and Germany with regard to regulations on gas conveyance which mainly targets the North Stream II gas pipeline project. The pipeline to link Russia and Germany is currently under construction and is aimed at transporting Russian gas to central European countries, bypassing Ukraine.



    Berlin — The Romanian film ‘Monsters’ directed by Marius Olteanu is being screened today, for the first time, at the 69th edition of the Berlin International Film Festival. The film, the only Romanian feature film selected at this edition of the Berlin festival will compete with another 16 movies. ‘Monsters’ tells the story of one day in the life of a young married couple who, together, seem to be loved by the family, the society and friends but who are also judged and rejected when they are on their own because of their needs, convictions and choices. Last year the film Touch Me Not, the debut feature film of Adina Pintilie received the Golden Bear award in Berlin.



    Rugby — Romania’s national rugby team is today playing on home ground, in Cluj, in the northwest, against Georgia its debut match of the 2019 Rugby Europe Championship. This is the 2nd most important competition after the famous Six Nations Championship. Romania’s team will next play in Botosani, in the northeast, on February 16 against Germany. On March 3 Madrid will play host to the match pitting Romania against Spain and on March 9 Botosani will venue the match between Romania and Russia. The Romanian team’s last match will be in Brussels, against Belgium, on March 17. Romania will miss, for the first time in the past 30 years, from the World Cup final tournament scheduled this year in Japan, after the International Federation sanctioned Romania for having used, in the previous edition of the championship, a recently naturalized player from Tonga after he had already played for his country.



    Tennis — The Romanian tennis player Mihaela Buzarnescu (29 WTA) will play against the Czech Karolina Pliskova (5 WTA) in Ostrava, the Czech Republic, on Saturday, in the 2019 Fed Cup first round. The second match of the day will pit Simona Halep (3 WTA) against Katerina Siniakova (44 WTA). Sunday will see the matches pitting Halep against Pliskova and Buzarnescu against Siniakova. In the doubles, the pair Irina Begu/Monica Niculescu will take on the pair Barbora Krejcikova/Katerina Siniakova. In the men’s competition, following Wednesday’s drawing of lots, Romania will be up against Zimbabwe in the first round of the Davis Cup Europe/Africa Zone Group II. (translation by L. Simion)