Tag: Poetry Streetcar

  • Art Doesn’t Bite

    Art Doesn’t Bite

    The public sphere is a place of
    artistic experimentation, and the larger audience needs to be encouraged to
    actively engage in these kinds of experiments. This is the starting point of
    the PhD thesis of Loredana Munteanu, which was subsequently used to set up a
    cultural NGO in 2012. The Poetry Streetcar, an event held over September 10 -
    October 1, 2019, the Traveling Letters Workshop / I Deliver love (held over
    2015-2018), the #MuseumsDon’tBite Guide, the Classical Music Concert at the
    Subway, started in 2012 and carried over through 2016, are but some of the
    successful projects of the organization called Art Doesn’t Bite. The Poetry
    Streetcar, a project organized this year over September 10 – October 1, in
    partnership with the Bucharest City Hall and the Bucharest Transport Agency,
    was aimed at bringing books closer to the larger public. 69% of Romanians and
    46% of people in Bucharest claim they have never read a book, and only 9% say
    they read on a daily basis, according to data compiled under the Cultural
    Consumption Barometer of 2018. People who’ve traveled by the Poetry Streetcar
    in Bucharest had the opportunity of reading or listening to poetry and jazz
    music, as well as admiring the 100 poetry volumes that decorated the inside of
    the streetcar. Loredana Munteanu, the founder and coordinator of the Art
    Doesn’t Bite Cultural NGO, told us how people reacted:


    Many young people realized they
    should read more and spend less time on their tablets and smartphones. We also
    spoke to elderly people who panicked, thinking they got on the wrong tram, who
    liked the idea a lot, saying they’ve seen similar ideas in other countries as
    well. I was very happy with their reaction, and doing more research I found out
    this concept of poetry streetcar had never before been made, except for a very
    short period of time in Hong Kong in 2013. At any rate, an event devoted to
    poetry that should be continued for such a long period of time is unique in the
    world. Besides, after the Poetry Doesn’t Bite project, I realized poets want to
    get out there, meet their readers and read their works, as they are very seldom
    presented with this opportunity. Putting together both types of reactions, from
    both the public and the authors, who for various reasons lack the visibility
    they deserve, I realized the Poetry Streetcar can bring together the two types
    of expectations. Hence we created an event addressing both poets and urban
    dwellers.


    The Classical Music Concert at the
    Subway was a festival held over 2012-2016, one of the most successful projects
    of the Art Doesn’t Bite NGO. Under the project the most frequently transited
    subway stations in Bucharest were turned into makeshift concert halls for
    dozens of concerts, recitals and unique performances given by young artists.
    Classical Music is for everyone! 46% of subway commuters took part in our
    festival, says Loredana Munteanu.


    This was our first project. Since
    we founded the Art Doesn’t Bite NGO, our first idea was to create this
    classical music festival at the subway. And then, after the festival’s first
    edition was held, I realized this is what I want to do, to create cultural
    projects for the public sphere. The project was met with great public
    appreciation, and turned out to be one of the most popular public festivals. I
    came to understand we need to give up the idea that art sits on a podium. We
    need to bring art closer to the people. The idea that classical music is venued
    only at the Romanian Athenaeum is prejudiced. Classical music is for everyone,
    just like poetry is for everyone. It all depends on how you wrap it up and on the
    way you present this kind of art to the larger audience. The Classical Music
    Festival at the Subway was a fascinating experience. It provided the people of
    Bucharest with an opportunity of seeing artists, tenors and ballerinas close
    up. It was unbelievable.


    (Translated by V. Palcu)