Tag: RRI Encyclopaedia

  • The Argamum Colony

    The Argamum Colony

    Greek colonies, satellites of the ancient Hellenic cities, were founded on the Romanian shore of the Black sea coast at the half of the 7th century BC. One such satellite was Argamum or Orgame, otherwise known as Argamon, according to other sources. Located at the interflow of Razim and Golovita lakes, Argamum was founded by the Greek colonists coming from Asia Minor. The name of the metropolis they came from is unknown. More than halfway through its very thriving existence as a port city in a former Black Sea gulf, Argamum was occupied by the Roman Empire in the 1st century AD, when Rome strengthened its presence in the Lower Danube.



    The historian and archeologist Vasile Parvan discovered the ruins of the city in 1916. The site stretches on a surface area of around 100 hectares, largely untouched by excavation works, with only remains of enclosure walls being unearthed, as well as a gate, a few streets, Palaeo-Christian basilicas and earth walls. Stefan Constantin is a tourist guide. He helps those who venture so far as to travel to wild areas such as the ancient Argamum make sense of what they see.



    Our guide says that the Greek founders of the colonies arrived in the northern part of the Black Sea a little bit later than in the other parts: ” It was not until the 7th century that the Greeks ventured as far as to explore the Black Sea, obviously for trade purposes, while social pressure was rather strong in the Greek town. They were in need of new markets, new spaces, they may have arrived as far as here to found the first colony on the Black Sea shore. The most relevant evidence for that is a little mound, an ancient Greek incineration tomb, unique in kind in the Balkans and the Black Sea area. So important was the tomb for the city dwellers that a hero cult evolved, which lasted for about 400 years. All archaeological sources unearthed on the site date as far back as the second half of the 7th century, between 640 and 630 BC, which coincides with the foundation of the colony. This was so important a character that archaeologists reached the conclusion that the person buried there had been the very leader of the colony.”



    Stefan Constantin says that a rock in Argamum, seemingly of little importance today, held a prominent place in the layout of the city back then. With details on that, here is Stefan Constantin himself: ” The rock is mentioned in only one source. A Roman geographer of the 2nd century BC mentioned it, under the name Teron Akron. Akron means cliff. Using the Ancient Greek dictionary, I tried to translate teron, and there are two meanings for that word. One would be a bird feather, which would mean Feathers Headland, while the second meaning would be porch or peristyle, an area with columns. Neither of the two meanings suit the reality on the ground, as archeologists discovered the area was sparsely populated in the 2nd century BC, it then had been abandoned for about a generation or two. If the locality was deserted, neither the columns nor the feather were relevant presences. “



    As a result of the scant research undertaken so far, archeologists believe the geography of the place had been different. Speaking about that, here is Stefan Constantin once again: ”In ancient times, a Black Sea gulf could be found here, the Greek named it Halmyris, briny water, which means water which is slightly salty, while the sailing route could be found around today’s Gura Portitei. The main access way to the Gulf was here. An isle was there, with a small church, used as a military control point. Then on the Razim Lake, you could sail along the Danube from a subsidiary branch, today’s Dunavat waterway, only to sail out towards the locality of Murighiol today, the former ancient city of Halmyris, which took its name from the ancient islet nearby. During the Roman period, Halmyris was a very important city, more important than Argamum as it acted as a Roman border fleet military base”.



    A necropolis can be found there, dating back to antiquity, as well as traces of dwellings in the eastern part of the cliff and artisanal ceramic ovens, while from the 5th century BC, the classical age of the Ancient Greek civilization, dates a fragment of the enclosure wall, several edifices, as well as other ovens built towards the headland and tumular tombs. The eras that followed, the late Hellenistic and early Roman ones, are noticeable outside the enclosure walls. The locals used wood as a construction material. It is estimated than in the city’s heyday, around the 4th and the 5th century AD, 10,000 people lived in Argamum, with the well-to-do living inside the walls and the downtrodden living outside the walls.



    According to Stefan Constantin, Argamum disappeared as a result of attacks migratory populations ran on the Romanian border of the Danube around the 7th century AD: ”The citadel was completely destroyed around the year 665. The entire Scythia Minor, today’s Dobrogea, was swept by a wave of migratory populations, an alliance of Bulgarians and Avars, which razed everything to the ground. A great many dwellings could not recover, only a few of them could be recovered, such as today’s cities of Tulcea, Constanta, Mangalia, but the border localities, such as Arganum, could not be recovered. And it was also at that time that Histria was abandoned, the destruction was massive. Raiders burnt everything, the enclosure walls were brought down. Archaeologists discovered that 50 to 70 years after the destruction, traces of habitation could be found only at the church entrance. Maybe one or two families closed the walls of the church entrance, and for one generation or two they used it as a dwelling space. No traces of habitation had been found in the region since then.”



    Just like any other abandoned dwelling, Argamum is still an attraction point, while the less frequented areas still hold fascination.

  • The Targu Mures Ethnographic Museum

    The Targu Mures Ethnographic Museum

    The city of Targu Mures has been a major urban center for centuries. It lies in the center of the region of Transylvania, on the upper course of the river Mures. The old center of town, as a result, is full of monumental buildings, architectural jewels scattered all over, in various styles, from Baroque to Secession. Among these buildings, the Museum of Ethnography and Traditional art stands out, which is in fact a mansion that used to belong to the noble family Toldalagi. Construction began in 1759, and went through several stages until 1772, as we were told by Angela Pop, head of section with the museum.



    Angela Pop: “Toldalagi Palace is one of the most important monuments in the city, dating back to the 18th century. This is the first palace built by a noble family in Targu Mures, after the supreme court in Transylvania was moved there. The master architect of the palace was Jean Louis dOr. This was the first construction site where Pal Schmidt was secondary entrepreneur in Targu. Mures. He was soon to emerge as a key personality in city construction. The main facade is in the late Baroque style, with French influences.”



    The facade draws the gaze of passersby with its decorative elements, which, in addition to their ornamental function, were a status symbol for the Toldalagi family, ruled over by the count who built the palace, fitting his position as assessor of Transylvanias supreme court.



    Angela Pop told us about the facade: “This facade has two heraldic emblems. On the left we have the Toldalagi family crest, then on the right we have the Wass family crest. They are all carved in stone. On the upper side they are linked by a crown, which stands out. This is an important element of the palace. This Toldalagi coat of arms has a blue field, with an arm holding up a six spoke wheel. There is a legend that this is supposed to represent. Once upon a time, in the time of the voyvods, the king was visiting Transylvania and had to cross a river. The pin holding one of the wheels fell into the water, and a man from the Toldalagi family, a local, replaced it with a finger on his left hand, helping to pull the kings carriage out of the river. This explains why the coat of arms has a left arm holding up a wheel. The coat of arms also includes a bulls head and other elements as well. These heraldic symbols are major elements of the facade of the Toldalagi palace of Targu Mures.”



    The Toldalagi Palace, like the family that built and inhabited it, and the whole of Transylvania, underwent various transformations. Until the early 1940s, it housed the Bank of Transylvania. After the war, during communism, it was decided that this building should house the major traditional art collection put together by ethnographer Aurel Filimon. In time, starting with this collection, the patrimony of the Toldalagi Palace ethnographic museum gained in size, today putting on display 120 ethnographic collections, with no less than 8,000 pieces. These are clothing, interior decorations, furniture, household tools, icons, on wood or glass, religious objects, ceramics, metal pieces, architectural elements, etc.



    Here is Angela Pop: “The first acquisitions of ethnographic objects were made by Aurel Filimon in early 20th century. The Aurel Filimon collection has 1,500 pieces, acquired between 1918 and 1940. Enriching this cultural patrimony continued with other acquisition campaigns, in an attempt to represent more ethnographic areas of the Mures region, such as Campia Transilvaniei, Podisul Tarnavei, Valea Gurghiului, the Upper Mures Valley, or the Niraj Valley. It is clear that this ethnography treasure has multiculturalism at its center, just like the events and exhibitions we organize at the museum. The first ethnography exhibition was organized at Toldalagi Palace in 1984, over 30 years ago. After that it became a mainstay of the museum.”



    In addition to the basic exhibition, the museum in Targu Mures holds temporary exhibitions as well. One of them is being prepared right now, with help from the National Cultural Fund Administration, entitled Mures Residents in the Trenches of the Great War, and will open in September. At present, another temporary exhibition showcases the multiculturalism of the area, called Mures Fairs and the Rural World.

  • Princess Nadeja Stirbey

    Princess Nadeja Stirbey

    While not in the spotlight, the life of Romanian grand bourgeoisie women in the first half of the 20th century is no less interesting, quite the contrary. At the heart of family life, they were often the driving engine of an active artistic environment and themselves creators of art. One such example is princess Nadeja Stirbey, whose husband and second removed cousin Barbu Stirbey was a politician and industrialist who served as prime minister, foreign minister, finance minister and interior minister at different times in his career. Barbu Stirbey was also a close advisor to King Ferdinand and Queen Marie. Nadeja was a descendent of two old ruling families, Bibescu and Stirbey. Her birth was the result of a stormy love affair. Her father, George Bibescu was the son of ruler Gheorghe Bibescu who stayed on in Paris after finishing his military studies at the Military School of Saint-Cyr.



    Art historian Oana Marinache tells us more: “George Bibescu caused a scandal when he fell in love with a married woman, Valentine de Caraman-Chimay, who was married at the time to the Count of Bauffremont. Divorce was not an option in the high society of the day, but the two lovers did their best to stay together. The countess already had two daughters but had to leave France and settle somewhere in the Duchy of Saxony, near Dresden, where she could secure a divorce and marry Prince George. Nadeja was born in Loschwitz, near Dresden, on 16th August 1876.”




    In the wake of her divorce, countess Caraman-Chimay had no choice other than renounce the two daughters resulting from her first marriage. Of the second marriage, when she was betrothed to Prince George Bibescu, three children were born: Marcela, who would become the mother of a famous inter-war architect, G.M. Cantacuzino, Nadeja and George Valentin, who was married to princess-writer Marta Bibescu, the founder of the Romanian Automobile and the Romanian aviation Club.



    As for Nadeja, shortly after graduating the boarding school in Germany she got engaged. With details on that, here is art historian Oana Marinache again: ”The engagement, which was pre-arranged by the family, was celebrated in Switzerland. Prince Barbu Stirbey had lost both parents. The Prince was the owner of the famous Stirbey Palace located on Victory Road and of the Buftea estate, where she wanted to live a private life, which kept her far from the high-life of her time. At least during their four daughters’ first years of life, the two kept a rather low profile, devoting themselves to the family and their estate in Buftea. Towards 1905, their friendly ties with the royal family open up brand new perspectives for the whole family. The prince’s political ascension brought them to Bucharest”.



    For the most part of her life, Nadeja would live on the Stirbey estate in Buftea, nearby Bucharest, and it is there that her passions would blossom. The princess could paint, embroider and knit. She also wrote poems and short stories, she kept a diary and was also very keen on photography. For most of her domestic activities, she got help from her four daughters — Maria, Eliza, Nadeja and Ecaterina and saw that they were offered a proper education. Lots of photographs were found in the family archive, which princess Nadeja herself took with a Kodak camera.



    With details on that, here is Oana Marinache again: ”She was one of the most emancipated princesses of her time. We haven’t so far found any dark room or a studio where she developed her films, but there must have been one in Buftea. She was the main author of most of the family photos included in her albums. For that time and for the Romanian lifestyle, her passion for photography was something modern. “



    Princess Nadeja Stirbey died in 1955 in Sinaia, after the communist regime had seized her wealth and her houses. Recently, fragments of her diary also seized by the communists and which can now be found in the National Archives have been published, so that the reading public can have a more accurate image of a world the communists wanted to erase from our history.