Tag: stone

  • Bucharest’s stone crosses and their history

    Bucharest’s stone crosses and their history

    The man of the past, from time immemorial, felt the
    need to bequeath to the future generations signs of his presence in this world.
    Until writing was discovered, man expressed his thoughts through rupestrian
    drawings, or through several objects, adorned or painted. When writing proper
    appeared, messages and thoughts for posterity became more elaborated, enabling
    us to know more about the perceptions of the past. As for the messages carved
    in stone, they were among the most perennial ones, standing the test of time to
    this day. When we speak about the messages carved in stone, what mainly comes
    to mind is the ancient period, with its spectacular temples, statues, and
    tombs. However, apart from the ancient period, in timeframes closer to our
    times, texts carved in stone are quite a few and no less important, at that.


    In 19th century Romanian
    society, the force of the messages carved in stone was impressive, especially
    when we speak about the messages engraved on crosses. In the city of Bucharest
    two centuries ago, stone immortalized what then the Bucharesters thought it was
    worth reminiscing.


    Cezar Buiumaci is a museographer
    with the museum of Bucharest Municipality. Also, he is a hunter of the city’s
    stone crosses and of the messages engraved on them.

    Cezar Buiumaci:


    In the present research I found two crosses we seem to have lost track
    of. We’re speaking about Ioan
    Pometcovici’s cross, a fountain cross in the Ferentari neighborhood and which
    today can be found in the Bellu cemetery, at the tomb of general Gheorghe Brătianu.
    It was a fountain cross that changed its purpose, becoming a funeral cross.
    That is the model, a matrix, just as it happens with all crosses around
    Bucharest. The other cross is Miloradovici’s cross, another cross which is a reminder
    of Russian troops’ win over the Turks. General Miloradovici was the one who
    succeeded to have the battle sidestep Bucharest and was thus dubbed the savior
    of Bucharest. A cross was erected in remembrance of that, it was a cross that
    can be found on the Patriarchate Hill, close to the belfry.


    The
    strongest messages carved in the stones of 19th century Bucharest are
    those carved on crosses. The cross is one of the oldest universal symbols that existed
    before Christianity. However, it was Christianity that brought the cross center-stage.
    The four arms of the cross signify the great axes of the world and the physical
    coordinates underlying man’s endeavor to build hid own material world. So the
    cross was the basic element on which messages for eternity could be drawn or
    written in a concise manner. For instance, on Tanase the Shoemaker’s Cross which
    today can be found in Ferentari neighborhood, located in the south-west of
    Bucharest, the Biblical scene of the Annunciation can be seen. The profile of kneeling
    Virgin Mary is to the right, while to the left, Archangel Gabriel can be seen
    standing. A bunch of rays signifying the presence of the Holy Ghost is drawn
    above. The inscription is in Romanian, but it is written in the Cyrillic
    alphabet, still in use in 1829, the year when the cross and the water fountain were built. The inscription runs as follows: With the mercy and help of the one who in
    Trinity is most glorified, God, this cross was erected, to the glory of the
    Annunciation of the Purest Mother, and this water fountain was also built.


    A key aspect of the messages carved
    in stone is made not only by the abstract side of life, but also by its
    material side, a fountain, in our case. Cezar Buiumaci emphasizes the bond
    between spirit and matter in the messages he found on Bucharest’s stone crosses, which he studied. One such cross is that in the Putul cu Tei street, which
    can be found in Bucharest’s present-day neighborhood, Berceni.


    Cezar Buiumaci:


    The cross in the Bellu district was placed, according to
    various authors, in the time of the pandours, in 1821, or in the time of the eighteen
    forty-eight revolutionaries. The truth lies somewhere in between, it was
    commissioned in 1831. It is a fountain cross, erected on a greenfield land on the Putul cu Tei street, lying a couple of meters away. It was
    customary for a tree to be planted and for a cross to be erected, whenever a
    fountain was dug. It was a gesture of great humaneness to offer water to the thirsty
    traveler, at a time when water supply networks did not exist. Concurrently, the fountains
    had the economic function of providing water to the livestock or for irrigation.
    There where this cross was found, the vineyards site began, on the Vineyards
    Hill. The story usually went like this: the traveler would arrive, he would
    quench his thirst and sit in the shade. That is how he took the time to read the diptych
    those who erected the cross had inscribed on it. Thus they organized their own
    alms when they were still alive.


    The messages found on stone crosses
    are messages of gratitude, yet they are also message of triumph, such as the
    one on the cross erected by Wallachian ruling prince Leon Voda, in 1631, by
    means of which he marked his win over the enemy. There are also messages inscribed
    as a lament for the departed ones whom someone held most dear, such as the
    message on the cross of the great boyar Papa Brâncoveanu, who was killed in
    1655 during an uprising. Such an example is one of the many examples available.
    We can thus view diversity as a stone-carved chronicle of Bucharest history.

  • The stone crosses of Bucharest

    The stone crosses of Bucharest

    Crosses have been a constant presence in the urban
    habitat of Romania’s capital city, Bucharest. Throughout the years, no less
    than fifty such crosses have been placed in various points, with some of them
    marking military or social events, while others marked the border between properties.
    Some of the crosses had the role of cenotaph or diptych. There were also crosses
    that were displaced and placed again in the lapidary of such monasteries as
    Antim of the Brancoveanu palaces in Mogosoaia.


    The oldest such monument in Ruler Leon’s Cross, made
    of wood. Leon was the ruling prince of Wallachia between 1629 and 1632. Leon raised the cross to mark his win in
    the battle against Matei Basarab on August 23rd, 1631. The wooden cross
    deteriorated; Leon’s son, Radu Leon, had it rebuilt, this time using stone as construction
    material.


    Another cross, initially made of wood and rebuilt of stone, later, is the cross of Papa Brâncoveanu, Wallachian ruling
    prince Constantin Brâncoveanu’s father. The former ruled between 1688 and 1714.
    Papa Brancoveanu was killed in 1655 during the uprising of the mercenary corps
    armed with muskets, seimeni, in Romanian, and the corps of foot soldiers,
    dorobanti, in Romanian.


    Cezar-Petre Buiumaci is a museographer
    with the Bucharest Municipality Museum. Dr Buiumaci is also a coordinator of a project
    t dedicated to the stone crosses from Romania’s capital city Bucharest. We first
    asked him what the explanation was, for the emergence of the crosses as public monuments
    in Bucharest, prior to the modern period.


    The predicament
    people at that time had been going though prompted them to erect monuments with
    a twofold significance: first, to protect them from any misfortune, at once
    reminding them of the plight that befell them. A case in point is the stone
    cross erected by the commander of mounted troops (serdar, in Romanian) Matei Mogoș
    (Mogoșescu) on his estate in the early 18th century, in the hopes
    that the plague pandemic that ravished the city would come to an end. The cross
    became so important in the community’s mindset that Bishop Grigore II a had a
    church built around the cross. Placed in the altar of the Old Obor Church, the
    cross, meant to remind people of plague and famine, can be seen with difficulty,
    today, as it became a worship object. We can find this kind of reminiscing again,
    in Vienna, where the emperor, in late 17th century, had a column
    built, dedicated to the divine charity when the plague epidemic came to an end.
    In Arad, in the mid-18th century, the plague column was erected, having
    the Holy Trinity as its main representation. We can also find similar monuments
    in other cities in Banat, Hungary or Germany, built in the wake of the pledge
    that was made, when the plague was eradicated. The power the public crosses had
    over Bucharest city dwellers’ lifestyle and collective psyche was impressive.


    Here is museographer Cezar-Petre
    Buiumaci once again, this time summing up the story of one of those crosses.


    One of
    the crosses with a special relevance in the history of Bucharest is Neophit’s
    Cross, a cross which is as visible as it is unknown. It was erected by Ungrovlahia’s
    bishop, Neophit the Cretan, with the purpose of being a border stone. What
    prompted the bishop to do that were the repeated trespassings of the plots of
    land and vineyards by the Greek priors of the Mihai Voda monastery. In the wake
    of the inquest he carried on the ground, the bishop decided that the cross should
    be placed where the Paupers’ Fountain was found on Barracks Street. It’s just
    that the inquest he conducted on the ground did not take the course he thought
    it would take, because the father superiors in Mihai Voda talked the slum dwellers
    into clamming up, with respect to the old borders of the metropolitan church’s
    plots of land. He noticed he received no info at all, capable of helping him in
    his endeavor, so Neophit had no choice other than placing a curse on the slum dwellers,
    with the purpose of finding out the truth. The Great curse or the Most
    terrible anathema were read out in the Albă-Postăvari, Abbot, Gorgani and Golescu
    churches in the first three Lent Sundays, targeting the people who knew about
    the measuring marks for those plots of land but who wouldn’t speak up. The
    action turned out to be successful because, as soon as the commission tasked
    with solving the case showed up, the slum dwellers identified the measuring
    marks.


    At the
    heart of the capital city, in the University Square, lies one of Bucharest’s
    most recent public crosses. Near the roadside crosses commemorating the December
    1989 Revolution, the Cross of Bessarabia can be found. Cezar-Petre Buiumaci also briefed us up
    on the story of the entire ensemble there.


    The Cross of Bessarabia Cross is a wooden cross brought from Chisinau by a group
    of students from Republic of Moldova as part of the Union March, and placed
    there on March 27, 1992, on the very day Bessarabia’s Union with Romania is
    celebrated. The wooden cross is the symbol of people’s unity and is actually
    the first cross of today’s ensemble that was placed on the very spot where a couple of
    roadside crosses used to stand, erected in December 1989. There were other eight
    stone crosses placed here, brought from Alexeni, Ialomita County, and which,
    together, make the December 1989 Revolution Heroes’ Ensemble which, as of that
    year, has become the main place for the commemoration of the 1989 Revolution
    martyrs. It is a salient example of the change in significance of a monument,
    from a border stone into a public monument, with relevance for the
    recent history.


    Bucharest’s stone crosses, with strong and artistically
    expressive messages, are part and parcel of today’s urbanscape. Bucharesters may
    have got used to passing them by every day, yet the stone crosses still
    maintain their symbolic significance intact.

  • Romania’s rural treasures

    Romania’s rural treasures


    Today we will take you to a journey along fairy-tale
    paths. Our stopover is a commune that was first documented in 1551. The place
    was officially registered as the Paunesti clearing. Back in the day, the locals
    were free peasants or freeholders, razesi, in Romanian, living in the
    surrounding villages. We’re in the Paunesti commune of today, in the
    north-eastern part of Vrancea county, close to the border with Bacau county, on
    the left bank of Carecna river. There is a place here, which is a one-of-a kind
    spot countrywide: the center of the commune, where there are 30 stone-built wells with counterweight. The perimeter where the wells can be found is no larger than 2,500 square
    meters. Wells with counterweight and carved, wooden buckets. The wells once used to
    make the pride of the locality, since they were dug so that people can have
    water, in a commune which is spread on several hills, and where the aquifer is
    usually deep.


    Gheorghe Popa is the mayor of the Paunesti commune. He
    told us the tale of the wells with counterweight.


    Gheorghe Popa:

    The wells with counterweight are 100 years old,
    in the commune of Paunesti and are made by the well-to-do people in the
    locality. Two or three affluent families got together and had the wells built
    in the center. People would come in the ox-drawn or horse-drawn carts they got
    together and used wooden cisterns to transport the water back to their home, in
    order to use it. There used to be many more such fountains, but now only around
    30 of them were left. We have a project, we want to preserve them, and right
    now we are waiting. We approached the minister, he even had a fact-finding visit,
    then the development minister Ion Stefan, he also sent us a state secretary
    with the Ministry of Culture, we try to preserve them. We have a bituminizing
    project for the alleys between them which is the feasibility study stage.


    The say the first well was the property of parish
    clerk Ioniţă Chiriac. And also according to the legends of the place, back in
    the day people got up at day-clean, driving their ox-drawn cart to the wells.
    They no less than waited in line, taking water for the animals, but also for
    themselves. Then the vineyards appeared and people took water back with them to
    sprinkle their vineyards. The mayor of Paunesti also told us that each well
    bears the name of the one who built it, so everybody knew they went to Duman
    for their water supply, or to Ichim. According to the locals, the wells are
    inherited from parents, so, for instance, the Berbece’s Well is today the best
    well-kept of them all, since the inheritors in the family were supplicated by
    their ancestors to take good care of the well.

    Gheorghe Popa:

    We cleaned them, every now and then. We
    maintain them, we lime-coat them, we set them in order. Some of the people made
    lids, but to do that, a great sum of money is needed. The people, and let me
    just give you some of the names of the people of yesteryear: Ţaburaşi,
    Berbecii, Duma, Murgoci, Ifrim, those were the names of the people who made them. And then the
    wells were used by everybody. Wooden cisterns
    were used to bring water home until 86-88, so people could fill their water
    tanks.


    However, the mayor of Paunesti, Gheorghe Popa, was
    unhappy with the fact that the people still drank the water from the wells,
    even though the water was not so safe.


    At present, the commune is connected
    to the water supply facility. On each well we had notifications written saying
    the water was not drinkable, but people still use it for the animals.


    Apart from the need to have water, another explanation
    the locals gave for the construction of the wells was that according to a
    tradition of the place, a well or a water source had to be built or repaired 40
    days after someone died. Nearby those sources of water, roadside crosses were
    placed, as well as crosses or icons.


    Lots of foreigners arrive in the region, filming those
    unique pieces, but the official approval is still expected so that the
    project for the museum restoration of the wells can take off. At any rate, the area is beautiful and
    welcoming.

    Gheorghe Popa:


    The commune of Paunesti is a big,
    beautiful commune, with lots of hills, with the Carecna river valley, many
    chalets have been built there, recently, on the either side, on one side we
    have the Carecna river valley, on the other side the Mohorata commune. The
    landscape is very beautiful.


    We also found out that in the old days, as part of the
    religious feasts observed in the commune, each and every man in the village
    gathered around the wells for the consecration of the waters.